“Stories of a Lie” Documentary Lands Sales Deal Before IDFA Premiere
Andre Martin | Last Updated : October 27, 2025The highly anticipated documentary, ‘Stories of a Lie,’ directed by Olia Verriopoulou, has secured a significant sales deal with the newly established Odd Slice Films, ahead of its world premiere at the prestigious International Documentary Film Festival Amsterdam (IDFA). The film is set to debut in the Luminous section of the festival and has also received a nomination for the best first feature award, marking a strong start for both the film and the emerging sales company.
A recent clip from ‘Stories of a Lie’ offers a first glimpse into its compelling narrative and unique stylistic approach. The acquisition by Odd Slice Films underscores the industry’s interest in thought-provoking documentaries that delve into complex human experiences.
Exploring the Ethics of Concealment
At its core, ‘Stories of a Lie’ embarks on a personal investigation into the ethical considerations and rationale behind withholding a cancer diagnosis from patients. The film thoughtfully questions whether silence truly serves to protect loved ones or if it ultimately causes more harm. It navigates a sensitive subject with curiosity and an intimate lens, aiming to understand the multifaceted impact of such decisions on individuals and families.
Verriopoulou’s documentary poses critical questions regarding the patient’s mental state when information is concealed or revealed. It explores the nuances of whether it is more beneficial to be entirely unaware, to know only minimal details, or if the approach should vary significantly from one patient to another. The film also delves into potential cultural factors, particularly in Greece, where the absence of a direct word for “infantilize” might contribute to a culture of silence, or the fear that uttering the “C-word” could unleash unforeseen consequences.
The Director’s Approach and Personal Journey
Olia Verriopoulou approaches this profound subject with a notable blend of curiosity, humor, and heart. She immerses herself in a culture where silence often predominates, engaging in conversations with medical professionals within her immediate circle, including her theatrical father. Through these interactions, the director confronts deeply ingrained myths, fears, and family habits surrounding illness and disclosure. This personal yet analytical journey allows the film to resonate on an emotional level while prompting deeper societal reflection.
Odd Slice Films’ Commitment to Impactful Cinema
Martina Droandi, a former sales and acquisitions executive and now part of Odd Slice Films, expressed her admiration for Verriopoulou’s work. Droandi highlighted that ‘Stories of a Lie’ is rich with “surprising images,” revealing an imaginative quality in Olia Verriopoulou that she finds truly commendable. She noted the film’s rare balance of lightness and depth, moving seamlessly between humor and vulnerability without ever compromising its emotional truth.
Droandi emphasized that the film tackles an unconventional topic – a philosophical and ethical dilemma with no easy answers. She praised the director’s bold choice to approach it through a personal lens, asserting that “it works beautifully.” For Odd Slice Films, ‘Stories of a Lie’ stands out as a “tender, intelligent and deeply human film,” making it an exciting addition to their catalog. This strategic acquisition signals Odd Slice Films’ commitment to representing documentaries that provoke thought and engage audiences on profound human issues.
Production and Support for ‘Stories of a Lie’
The production of ‘Stories of a Lie’ is a collaborative effort, with Mina Dreki producing for Marni Films in Greece and Gaëlle Jones for Perspective Films in France. The project also benefits from the contributions of co-producers Tamarisk, Filaos Productions, and Yellowgroove. Significant support for the film has been provided by institutions such as the Hellenic Film and Audiovisual Center – Creative Greece, ERT Hellenic Broadcasting Corporation, and the CNC in France, underscoring the broad backing for this important documentary.
Conclusion
As ‘Stories of a Lie’ prepares for its world premiere at IDFA, the sales partnership with Odd Slice Films positions it for wider distribution and audience engagement. Olia Verriopoulou’s insightful exploration of truth, silence, and diagnosis offers a nuanced perspective on a universal human dilemma. The film’s blend of personal narrative and ethical inquiry, coupled with its artistic execution, suggests it will be a significant contribution to contemporary documentary cinema and an important conversation starter.
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