An Artist’s Odyssey: From Stripping to Boxing to Battling Demons in ‘Everything Works Out (in the End)’

The human journey is rarely a linear path, often marked by unexpected detours, profound transformations, and a relentless search for meaning. Such is the compelling narrative at the heart of Maximilien Dejoie’s documentary, “Everything Works Out (in the End),” which chronicles the remarkable life of American artist Katelyn Louise Doty. The film offers an intimate look as Doty navigates a series of profound personal shifts, transitioning from a career as a stripper to an aspiring boxer, and ultimately, confronting what she perceives as literal demons in her quest for faith and redemption.

Dejoie’s documentary, a main competition title at the Ji.hlava International Documentary Film Festival, captures Doty’s tumultuous road trip from Chicago across the northeastern U.S. It’s a raw and unfiltered portrayal of an artist in constant evolution, grappling with her past, seeking new identities, and battling internal and external forces on her journey toward self-discovery.

The Unconventional Path of Katelyn Louise Doty

Katelyn Louise Doty’s story begins with a frank look at her time working in the adult entertainment industry. Doty, also known as Kate, entered this world out of economic necessity, aiming to pay off debts, initially viewing it as a temporary solution. However, as years passed and the work became a significant part of her life, she began to seek a different path.

Director Maximilien Dejoie was particularly drawn to Doty’s perspective on her strip club life, noting her “non-victimizing way” of describing it. She appeared empowered by her work in a vibrant rock club environment, even while married to musician Chip Z’Nuff. This period, while financially driven, laid the groundwork for a deeper introspection and a desire for change.

From Stage to Ring: The Boxing Chapter

As Doty sought to redefine herself, she made a series of significant life changes. Reconnecting with her traditional Catholic upbringing, she began working in a retirement home for aging Catholic priests and devoted herself to creative pursuits, including recording her first album and writing a book. In a characteristic display of her dynamic personality, Doty then decided to take up boxing.

This foray into the boxing ring presented a seemingly compelling narrative for Dejoie’s film. However, like many of Doty’s ventures, this phase proved to be a transitional one rather than a final destination, illustrating her restless spirit and ongoing search for purpose beyond any single endeavor.

Confronting Internal Battles: Faith and Exorcism

Perhaps the most challenging and intriguing aspect of Doty’s journey, as depicted in “Everything Works Out (in the End),” is her deeply personal battle with what she believed were actual demonic possessions. Early in the filming process, Doty informed Dejoie that she was possessed by a demon and required an exorcism.

This revelation deeply impacted the filmmaker, an Italian-born documentarian who, by his own admission, struggled to believe in such phenomena. Yet, Dejoie recounts moments where Doty’s conviction and certain inexplicable events challenged his skepticism. A notable incident involved Doty allowing him to film her praying, only for Dejoie, a veteran camera operator, to accidentally record over the footage — an occurrence Doty attributed to demonic interference. This intense spiritual struggle marked a significant turn in her quest for “faith and redemption”.

The Filmmaker’s Challenge: Capturing Raw Reality

Documenting Doty’s ever-evolving life presented unique challenges for Maximilien Dejoie. Working solo with a handheld camera, he had to be constantly ready to capture fleeting moments, as Doty was known for her spontaneity. She rarely offered second chances for missed shots, often stating, “No, I said it. The moment is gone” if asked to repeat something off-camera.

Dejoie’s approach was one of liberation, allowing him to follow Doty wherever her journey led, even when it meant abrupt changes in direction that reshaped the film’s potential plotlines. This commitment to raw, unscripted reality defines the immersive quality of “Everything Works Out (in the End),” offering viewers an unfiltered look into Doty’s life.

Seeking Solace: A Return to Roots

Following her intense spiritual experiences, Doty felt a strong urge to reconnect with her roots. She left Chicago and embarked on a road trip across the United States, heading towards her hometown in Massachusetts. This phase of her life, filmed with a more contemplative pace, allowed both the audience and Doty herself space for reflection.

It was during this period that Dejoie realized the true heart of his story. Doty’s journey culminated in a desire for a quieter existence, expressing her wish “to be nobody” after her multifaceted experiences. The film ultimately closes on this return to a more serene life, a testament to the idea that sometimes, resolution comes not from grand battles, but from a return to simplicity and self-acceptance.

Conclusion

“Everything Works Out (in the End)” is a powerful exploration of transformation and the human spirit’s resilience. Katelyn Louise Doty’s extraordinary journey—from the demanding environment of stripping to the disciplined world of boxing, and through profound spiritual battles—offers a vivid portrait of a woman relentlessly pursuing her truth. Maximilien Dejoie’s documentary doesn’t just chronicle a life; it captures the very essence of searching, struggling, and ultimately finding a path towards a personal sense of peace and belonging.