Spanish WWII Thriller ‘Frontier’ Acquired for North America

Judith Colell, the acclaimed director known for her works such as ‘Elisa K.’ and ‘15 Hours,’ is once again garnering international attention with her latest film, “Frontier” (“Frontera”). This World War II Jewish refugee thriller has recently been acquired for North American distribution by Menemsha Films, signaling a significant milestone for the Spanish-Belgian co-production. “Frontier” delves into a poignant historical narrative, exploring themes of courage, moral responsibility, and the enduring relevance of past struggles in contemporary society.

A Gripping Premise: Humanity on the Border

“Frontier” transports audiences to 1943, amidst the turmoil of World War II, focusing on Manel Grau, a Spanish customs officer. In a deeply divided Spain still reeling from its own Civil War, Grau makes the perilous decision to defy General Franco’s orders. He risks everything to assist Jewish refugees in crossing from Nazi-occupied France into the relative safety of Spain. This act of defiance not only endangers his life but also reopens the raw wounds of Spain’s recent past, creating a complex web of personal and political tension.

The film is a collaborative effort between Coming Soon Films, Diagonal TV, Crespeth Films, and Bulletproof Cupid. It is slated for a Spanish theatrical release by Filmax on December 12, following its world premiere at the Valladolid Festival, which commences on October 24.

Judith Colell’s Vision: Reflection and Empathy

Judith Colell, who also presides over the Catalan Film Academy, approaches “Frontier” with a characteristic blend of intimacy and social focus, applying it to a broader historical canvas. Colell describes the film as, at its heart, “an act of reflection,” emphasizing the courage required to assist others when the majority choose to look away. This perspective shapes the narrative, transforming a historical thriller into a deeper exploration of human nature and ethical choices.

The film’s underlying message is encapsulated in a powerful line: “What some lived through yesterday many are living through today.” Colell explicitly states that “Frontier” speaks directly to the present, drawing parallels between the WWII refugee crisis and modern-day migrations driven by war, hunger, and terror. She views cinema as a crucial instrument for denunciation and reflection, enabling audiences to contemplate contemporary issues through the lens of historical events.

The Moral Landscape of “Frontier”

One of the central tenets of “Frontier” is its interrogation of moral responsibility. The film scrutinizes the ease with which individuals can surrender their ethical obligations during times of crisis. Colell explores how characters navigate a village microcosm on the French-Spanish border, a place scarred by the Spanish Civil War. Here, individuals are divided into three categories: those who actively help, those who seek to denounce, and the vast majority who remain indifferent. Colell’s objective is to dedicate the film to the first group, highlighting the significance of every small gesture in fostering a more humane and supportive world.

Casting for Depth and Nuance

The casting process for “Frontier” was extensive, aiming to find actors capable of embodying the distinct moral challenges faced by each character. The ensemble cast features notable talents such as Bruna Cusí, Miki Esparbé, Asier Etxeandia, Maria Rodríguez Soto, Belgian actor Kevin Janssens, and Jordi Sánchez. Colell sought committed actors who would delve deeply into their characters’ motivations, ensuring that they were not portrayed as simplistic heroes or villains but as complex individuals shaped by their experiences and environment. This approach allows for a nuanced portrayal of moral ambiguity and heroism.

The Pyrenees: A Silent Witness

The majestic Pyrenees mountains play a pivotal role in “Frontier,” conceived by Colell and cinematographer Andreu Adam Rubiralta (“The Gypsy Bride”) as more than just a backdrop. The landscape itself functions as a character, a “moral witness” to the unfolding history. Shot with Alexa 35 cameras and vintage lenses, the cinematography contrasts the timelessness of the mountains with the harsh, rapidly changing human history occurring within their midst.

The isolation of the mountainous region shapes the characters, making them resilient, arid, and often suspicious of outsiders. The environment instills a deep respect for nature, underscoring the idea that in these sparsely populated spaces, the mountain often “defeats the human.” This geographical context is integral to understanding the villagers’ actions and perspectives.

Balancing Thriller Elements with Intimate Drama

While “Frontier” is categorized as a thriller, Colell’s background in intimate drama heavily influenced its visual style and pacing. She prioritizes capturing the subtle nuances of human emotion, often focusing on characters’ faces to reveal their inner turmoil and evolution. This emphasis on intimate moments is carefully balanced with the inherent tension and action expected of a thriller. The collaboration with film editor Liana Artigal was crucial in achieving this delicate equilibrium, allowing Colell to maintain her personal artistic vision within the demands of a larger-scale production.

The Contemporary Meaning of “Border”

For Colell, the concept of the “border” extends beyond its geographical definition, carrying profound political and emotional weight. Today, it symbolizes the immense hardship faced by thousands seeking refuge and a better life, and it highlights a collective responsibility to help. Citing Anglo-Somali poet Warsan Shire, Colell underscores that people do not flee their homes without desperate reason, famously stating, “No one crosses the sea unless the water is safer than the land.” The border, in this context, serves as a mirror reflecting shared humanity and the critical choices made when confronted with the desperation of others.

Behind the Scenes: Production and Collaboration

The production of “Frontier” benefited significantly from the expertise of Diagonal TV, known for its extensive experience in long-running period dramas and large-scale productions. Their technical and logistical prowess in production design and historical recreation provided a robust foundation for the film. However, Colell emphasizes that the project’s true strength lay in the synergy of the co-production, particularly highlighting the crucial vision of Marta Ramírez from Coming Soon Films. Ramírez championed the project from its inception, bringing a deep sensitivity to the narrative, script development, and artistic direction.

Despite being Colell’s most ambitious project to date, she found collaboration with all departments to be seamless. Her increased experience allowed her to effectively communicate her vision—a drama enriched with action and a larger budget—while ensuring her distinct directorial personality remained intact.

Conclusion

Judith Colell’s “Frontier” emerges as a powerful and timely film that transcends its historical setting. By weaving an intense WWII refugee thriller with a profound exploration of empathy and moral agency, Colell delivers a narrative that resonates deeply with contemporary issues. Its North American acquisition by Menemsha Films underscores the film’s universal appeal and its potential to spark important conversations about humanity’s enduring responsibility in the face of crisis.