“The Monster of Florence” Tops Netflix Charts Globally
Andre Martin | Last Updated : October 29, 2025Italy’s latest true crime sensation, “The Monster of Florence,” has rapidly ascended to the pinnacle of Netflix’s global viewership, securing the number one spot and underscoring a significant trend in the entertainment landscape. This achievement highlights the profound impact and extensive reach that compelling narratives can attain, irrespective of their origin. The limited series, delving into Italy’s most notorious unsolved serial killer case, has captivated audiences worldwide, proving that a well-crafted story transcends linguistic and cultural barriers.
“The Monster of Florence” Dominates Global Charts
Launched on October 22, Italy’s “The Monster of Florence” quickly rose to become Netflix’s overall top TV show, registering 9.6 million views during the week of October 20-26. This performance placed it ahead of all other series on the platform, including English-language productions such as the second season of “Nobody Wants This,” which garnered 8.6 million views during the same period. The four-episode limited series not only topped Netflix’s non-English-language shows chart but also secured the No. 1 position in 44 territories globally and landed in the top 10 in 85 countries. This widespread success demonstrates an audience appetite for diverse storytelling.
Unpacking the Infamous Case
The series derives its title from the chilling moniker given to an alleged serial killer who terrorized the Florence area of Italy for nearly two decades. Between the late 1960s and mid-1980s, the perpetrator committed eight double murders, preying on couples in secluded locations. The weapon consistently used was a .22 caliber Beretta. These brutal and unsolved crimes have fascinated and haunted Italians for generations, becoming a deeply embedded part of the nation’s criminal history. The Netflix adaptation now introduces this complex and disturbing chapter to a much broader international audience, reigniting discussions and interest in the cold case.
The Creative Vision Behind the Global Hit
The success of Italy’s “The Monster of Florence” is attributed to a seasoned creative team. Directed by Stefano Sollima, known for his work on acclaimed series like “Gomorrah” and “ZeroZeroZero,” as well as Hollywood films such as “Sicario: Day of the Soldado,” the series benefits from a director skilled in constructing intense, character-driven narratives. Sollima reunited with writer Leonardo Fasoli and cinematographer Paolo Carnera, collaborators from his previous successful projects. The production, a partnership between The Apartment (a Fremantle company) and Sollima’s AlterEgo shingle, involved extensive research. Sollima himself spent over a year meticulously investigating the real-life killings, choosing to explore multiple investigative pathways.
A distinctive narrative choice for the series is its structure, where each of the four episodes focuses on a different man who, at one point, was suspected by investigators. Sollima explained his approach in a September interview at the Venice Film Festival, noting that describing individual suspects allowed for a broader exploration of “monstrosity.” This perspective extended beyond merely identifying the alleged “Monster of Florence” to examining the darker aspects of human nature evident in the intimate and familial relationships of those involved. This artistic decision shifts the focus from a straightforward killer hunt to a deeper “investigation of man and how he is a bearer of evil.”
The Universal Appeal of Local Stories
The global triumph of “The Monster of Florence” serves as a compelling illustration of the argument made by Andrea Scrosati, Fremantle’s group COO and CEO of continental Europe. Scrosati stated that “The global success of ‘The Monster of Florence’ on Netflix underlines the power and reach of great storytelling no matter where it emanates from.” This sentiment encapsulates the evolving landscape of global entertainment, where authenticity and narrative depth are increasingly valued over geographical origin. The series’ ability to resonate with viewers across diverse cultures speaks to the universal human fascination with true crime, psychological intrigue, and the search for truth, even in the face of enduring mysteries.
Conclusion
Italy’s “The Monster of Florence” stands as a testament to the power of authentic and well-executed storytelling. Its rapid rise to global prominence on Netflix not only brings a chilling Italian cold case to an international stage but also reinforces the idea that compelling narratives, expertly told, possess an inherent ability to connect with audiences worldwide. This success encourages further exploration of diverse local stories, demonstrating their immense potential to become global phenomena.
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